A not insignificant aspect of this project was for you to encounter the difficulty of captioning in a fast-moving situation. “Number 2” is not an identity. The images themselves are a good attempt but on at least two you missed the moment. Faces are blocked, or there is no face of the person the ball is going to, or faces are completely non existent or there isn’t significant action (like the last one). You have to shoot more, read your assignment more carefully (and pay attention to detail). The dividing line between an amateur and a professional is that the professional leaves nothing that can be criticized.
A not insignificant aspect of this project was for you to encounter the difficulty of captioning in a fast-moving situation. “Number 2” is not an identity. The images themselves are a good attempt but on at least two you missed the moment. Faces are blocked, or there is no face of the person the ball is going to, or faces are completely non existent or there isn’t significant action (like the last one). You have to shoot more, read your assignment more carefully (and pay attention to detail). The dividing line between an amateur and a professional is that the professional leaves nothing that can be criticized.